I got an email request
to do a recap of this specific episode of I Dream of Jeannie, and of course I was stoked! If there’s
ever an episode of something you’d like me to recap, then feel free to email me
at jvonhalsing@gmail.com. I
might not have access to what you want, but I’ll certainly try!
The last time we checked in on Jeannie, she was squaring off
against her sinister lookalike sister, Jeannie II. Major Nelson was
oblivious to subtle details, Roger was being blinked to every corner of the
earth, and Dr. Bellows was convinced that he was hallucinating James Bond
outfits on the people at work. Pretty run-of-the-mill stuff for Cocoa Beach.
We’re now into season four, and there’ve been a few changes
worth mentioning: Jeannie II has appeared a couple of times since her last
visit, so some of the grudges you might expect to resurface are water under the
bridge; Dr. Bellows’ wife, Amanda, is now a regular feature on the show; and
Roger’s character has been turned into a cartoonish playboy instead of a
realistically girl-crazy astronaut. It’s all the usual characterization fatigue
you see on sitcoms. The really bizarre changes start in season five.
And, even though a genie and an astronaut almost get married
in this episode, this isn’t the one where Major Nelson and Jeannie tie the
knot. The title, “How to Marry an Astronaut”, is a take-off on How to Marry a Millionaire, the classic
Lauren Bacall film that was turned into a TV series in 1957, with none other
than Barbara Eden in the role originated by Betty Grable.
One day, I’ll subject you to an episode of that, but right
now we’re sticking with Jeannie. Or Jeannies, as the case may be.
The pink and gold bottle that Jeannie calls home is resting
in its usual place on the desk, and we see that inside, Jeannie is rocking out
to some ragtime on her Victrola while she reads Brides Magazine. Her Victrola
is very cute, painted with pink and red flowers that match her outfit, but it’s
also a weird choice. She lives in the 1960’s and was trapped in a bottle for a
hundred and fifty years, so where’d she get it and why doesn’t she want a
record player instead?
These urgent questions are swept aside, when the living room
fills with a distorted version of Jeannie’s blink sound, and Jeannie II
appears. She calls a few times for her sister, pacing the room with a
hip-swishing sashay that sets her harem pants rippling like water. Barbara Eden
changes the whole vibe of that costume just by altering her body language. It’s
really impressive.
Jeannie II notices the open bottle, the stopper sitting
right next to it, and raises an eyebrow at the universe.
“Oh…” she smirks, “That’d almost be too easy.”
Still, you can’t take the spots off a leopard. Jeannie II
pops the stopper in, and as her trapped sister realizes what’s going on and
starts to stomp her feet and call for help, she advises getting some kind of
alarm system. After all, she notes, Jeannie gets stuck in there an awful lot.

